HomeMy WebLinkAboutRESPONSE - BID - 7031 APP ARTIST IN ACTIONS (2)�A"
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"Orange Burst Poppies "
Acrylic
12 "Tx 1?"Wx2T
inn .lisajcarneron.com
"Voile Or•angen Poppies"
Acr yl
30.48 x 30.48 x 5.08 cm
Detail sample extract,
Up. Up, and Awcry"
Acrylic
(3) 36 " x 30
Gallery Wrap Canvas
Installed sire:
36'Wx90"Tx T
Lin detailliertes Beispiel
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(3) 91.44 x 76.2 cm
Leinwand
tisa J Camerwi listi/cameron.com
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Detail sample ex1ructed as indicated below Ein detailliertes Beispiel
"Cosmos ioslnos "
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48"Tx60"W.> 2"D
"Acker Verhal this "
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30.48 x 30.48 x 3. 08 "cni
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"Slice of Life"
Acrylic
36 7x 36' W x 2
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Acrylic
48"x 48 " x 4 " calli'as
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60'Wx487x 2 152.4x121,92x5,08 cm
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Acrylic
60 "Tx 48 "Wx 2 T
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"Hang High "
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tisa J. Cameron
4524 Skyline Drive
Fort Collins, CO 80526
970.372.3096
lira@lisajcanteron. coin
www.lisajcanzeron. corn.
The 3-D painting style I developed is unique and created with animated enthusiasm
as I drip and fling layers of color. It is entertaining for viewers to witness as the layers
of color develop into representational imagery.
My style is an evolution combining Impressionist painters "Spirit of Place" and
Contemporary applications like Jackson Pollock's dripped paint technique.
Each painting reflects playfulness and vigor and can be appreciated by both patrons
of abstraction or impressionism.
First, I lay down a foundation with broad brush strokes in an impressionistic style;
( Then I paint without restraint splashing and dripping color, mimicking my excitement
and enthusiasm for my subjects.
The paintings are created by building a multicolored woven surface with dripped
layers on large scale panels to form windows of site -specific scenery. The layers
create visual perception of depth and tactile dimension. The resulting images can be
viewed as representational or abstract depending on the viewers distance from the
canvas.
Standing near my work viewers see lively splashes and drips of seemingly
unorganized color, but as they step away, "Ah Ha", the layers of color form images.
At first glance, the style is loose and whimsical, but with closer observation the
painting yields detail and depth. It is like getting two paintings in one.
"BEET STREETS"
14' H x 12' W x 5'D Stainless steel, steel, sandstone, glass
Located at 625 Ninth St., and depicting an oversized map of Fort Collins City Streets using curving
stainless steel. A smaller map circa 1900 is layered on top of a map from 2000 and is highlighted by a
brass star pinpointing the location now housing the Fort Collins Streets Facility offices, once known as
the local sugar beet factory grounds.
•
JTJ
M.
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Ice Harvest
Taken from a historic photograph (circa 1910)
of `ice harvesting' on Monument Lake,
paint on polycarbonate.. steel frames
30' long x 8' high
Lisa Cameron & Tim Upham
October of 2007
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CHALK ONE UP FOR ART • LA STRADA FEST CONTINUES TODAY
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The Denver Pos:Kathryn Scott Osler
Artist Lisa J. Cameron of Fort Collins uses pastel chalks Saturday to create 'Mother and Teresa on the street in
Larimer Square. La Strada dell' Arte, Denver's first Italian street painting festival, features artists using chalk to
create images on the pavement. The event is free and continues today from 10 a.m.-6 p.m.
10 F,AD.SChE LEIT[:r:
KULTUR
Zwischen Kunst and Natur: die
(von links) im Dreilandergarten.
August 6, 2008
Sympo;:iums-Tcilnehmer UrsTwellmann, Tim Upham, Lisa Cameron and YuzoChiba
Kunst, die im Freien entsteht
Vier Kunstler arbeiten beim ersten Kunstsymposium des Kieswerk-Open-Air in Well am Rhein
„So beautiful!", schwarmt Tim Upham
aus Colorado fiber das Geiande im Kies-
werk in Weil am Rhein. Der Dreilarder-
garten, der modeme Pa«Ilon von Zaha
Hadid, das alte Kieswerk, wo heute der
Bildhauer Volker Scheurer sein Atelier
and eine Galerie betreibt and Uberall
Skulpturen stehen - das alles inspiriert
den Kunstler aus Amerika. Das game
Areal ist fur ihn „a wonderland": „It's ma-
gic. it's a dream..."
Tim Upham isteinervon vier interna-
tioralen Unstlern, die seit gcstern beirn
erster. Kunstsymposium des Kieswerk
Open -Air im DreiRindergarten arbeiten.
Die Besucher k6nnen ihnen zuschauen
urd so auch die Entwickiunssschritte and
den Entstehungsprozess dcr Kunstwerke
mitverfolgen. Es ist die Idee dieses Sym-
posiums, das vom Kulturamt gemcinsam
mit dean Kunstraum Kieswerk organisiert
wi rd, days die Leute nicht nur das Kinoer-
lcbnis unter freiem Himmel and die Live-
Musik geniefier, sondem auch dal Ent-
stehen von Kunstwerken erleben k6n-
rcn.
Dafur erweist sich dieser Ort mit set -
rem spannenden Kontrast zwischen \a-
tur, Industriclandschaft and Architektur
als-iberaus geeignet. So lasst sich Tim
Upham, der mit Stahl and Glas arbeitet
and immer den Raum -nit cinbezicht, von
der besonderen Atmosphere inspirieren.
Die vielen Menschen, die Abend fUr
Abend zum Kino aufs Gelende s"men,
das Grim, die Geschichte des Ortes, alle
these Beobachtungen and Eindriicke sol-
ten mit eintliefien in die plastische Ar befit,
die der Amerikaner urtcr anderem mit
Glassplittern schaffen will.
Ebenfalls erstmals in Europa ist die
Malerin Lisa j. Cameron aus Colorado. Sie
malt im Jackson- Pollock-Stil, mit heftiger
gestischerBewegung. tropfender urd ver-
laufender Farbe. Doch wenn man naher-
tritt, vcrwandeln sich ihrc wild-abstrak-
ten Gemelde, die aus reiner Farbbewe-
gung and Farbspuren zu bestchen schei-
nen, in realistische and naturalistische
Blumen and Pflanzen - ein fantastisches
Vexierspiel. Yuzo Chiba aus Sapporo
ker.nt den Ort schon von eine- Ausstel-
lung irn Kunstwerk Kieswerk vo- fiin:`jah-
ren. Diesel Mal will der japaner eine gro-
Be abstrakte Skulptur aus Plexiglas schaf-
fen, bestehend aus drei geometrisch-kon-
struktiven Elementen, die sich bberkreu-
zen urd Oberschneiden. Damit mbchte
Yuzo Chiba die Schnittpunkte der drei
Lander im Drciltindereck symbolisieren.
Zur Veranschau Itch ung zeigt er schon mal
ein kleines Modell der Plastik.
Der Schweizer Holzbildhauer Urs
Tvmllmann war gerade zwci Wochen lang
im Engadin and hat von dort ..einen An-
lienger voll mit Asten" mitgebracht.
lWelhnanns Material fist das Holz, das er
bricht, spaltct, zersagt and zu Skulptwen
and Objekten gestaltet. Besorders genie
arbeitet er mit FundstUcken aus dem
Wald, mit Forstholz, mit Schwemmholz,
-and ct ist beim hicsigen Forstamt nosh
auf weiterer Materialsuche. Vor neon jah-
ren hat der Kunstler zur Weiler Landes•
gar wnschau „Gran 99" eine Schwemm-
holzkugel geschaffen, die von der Stadt
angekauft wurde and die heute noch Im
Dreilandergarten steht. Manche Besu-
cher werden rich auch roch an 'hvell-
manns ..Baum-Blbliothek- erinnern, die
ebenfalls auf dem Grungelartde zu sehen
war. Beim Kunstsymposium kann er sich
vorsteller., etwas Ahnliehcs wic these hdl-
zerne Kugel zu gestalten. „Aber ich bin da
noch often".
Bis Sonntagwerclen die vier Kunstler,
die Bildhauer Volker Scheurer zusam-
mengebracht hat, rund um das Kieswerk
arbeiten. Nachmittags bis in den Abend
hincin rind sic an verschicdcncn Orten
au` dem Areal anzutreffen. Bis 19 Uhr ist
das Gelandc frci zuganglich, danach wird
die Kasse f-j-die Fil.rnvorfiihrungen gebtf-
net. Von heute an haben die Besucher die
Mdglichkcit, unter den entstandenen Ar-
beiten ihr bevorzugtes Kunstwerk auszu-
wahlen. Am Sonntag 21 Uhr wird dann
der Publikumspreis bekanntgegeben.
Auch der Weg'.n die Galeric im Kunst-
raurn Kieswerk lohnt sich. Dort rind Ar-
beiten von Volker Scheurer zu sehen, die
auf Kapverden entstanden rind, sowie un-
gcwbhnliche reliefa;tige, Behr farbinten-
sive Textilbilder der polnischen Kiinstle-
rin Anna Dziezewska. Zur rnuitikulturel-
ten and vieisprachigen Kurstlergerneir-
scPaft, die sich momentan im Kieswerk
aufhalt, gchort auch die japanische Pianis-
tin Yoshiko Kasahara, die Frau von Yuzo
Chiba, die am 7. August, 20 Uhr, ein klei-
nes Klavierkonzert gibt. Roclvitha 1 reY
16 — August 2008 -- NORMFORTYNEWS
By Libby James
North For.y News
I;Q CaIll:[JII, ,P::iutU
studio ,its on a blul),
ON erlookin-. 1 lorsetooth
Iteseryoir. ]bade a stuntilna,
array ul r:i!:u-tired poi, rests on
tahlcs. Olt the tarp -draped floor
cozens and dozen, of cars of*
I:ousc paint :arc lined up. Gal-
lons and quarts ,It in order])
ruse., no drips or dribbics run -
ill it,-, doeen their sides or cloo-
t; tip the cducs of their carc-
fi.dlV replaced lid:. ?1nd afong-
sidc ihctri arc buckets tilled
erith paint sticks, most pristine
and nee, ready to be used to
imp and dribble paint across
I can%as. A huge cane'a., par-
tially finished, lies flat on the
flour. another, oxen lamer, resU
rn :ul casrl.
..Paint sticks," C'Imeron cx-
plained. "arc tiro."
Shc ,,ailwrN them up by the
fistful at paint stores %%'hero she
frequently buys "mistaken- that
have been improperly rnixcd.
Wilh these lools and materials
she c[elles the paintings for
ee rich sit: is knoee rl and re-
spcctcd to - illcncs in Boulder;
scutl;dalc, Ari/.. 1-olt Collins,
l.stes Park and the Vir-in Is-
land".
Cameron, a graduate of the
University of Wyoming, echo
has a dc,ice in art %%till an
cntph.a.is on pairllin�, hasn't
f(-o lam
(02,o -a 1`JIA7r-'
high above
:ft
the C..Y
matures
alee:ry; etor cd \%till the cnlhu-
stasm .nu€ ahamlor. that i, ce i-
d:nt in her :iirrcn,, %corl. fh:
saooshini, sxcirk. skinmdrib-
bl;s and slrate, icall\ placcu
w ips ;md drops she uses
tick. to produce. and that ha,. e
beconic li:r ;radcmark, are the
result of :I lontz search for a
sh•Ic all her tm n,
Her quest. she said, ee:as as-
sisted by her rnoee from a small
hornc'studio in Loycland it) her
currcnt honic in Springy C'an-
yon Height: on the south-west
Side of' Horsclooth Rcscreoir.
it %\as there that she found the
cne ironment that enabled her to
Win_ her eeork to a ticey leycl.
"\o one bother. trio here...
site said. "I planted all the
on my place. I love lisicnir..-, to
meadoeyLuk; and house v rcns
that sin, all tim long. in the <tnn-
nlcr. Orioles and hunullim!birds
hang Iroutld because I feed
111cm. Faeens. limos, raccoon:,
skunk,, coyotes, rabbits and o:-
::asiinlally a molintilll lion. bell
of elk shoe% up Outside Illy door.
1 planted llueecrs to hccoinc
models tur my painlings, but in-
stead 1 created a ,,rand salad bar
tier the 6\11dlific. I decor -,ct tired
of lookin_, at the clouds, sunsets
and lights of the cite bcloee'-"
Cameron has atom s been fas-
cinated eeiih color and the eeav it
is used — in combinations in
extremes ill %allIn-, d:Lrcc:
Creative corner. Lisa Cameron has found ner rnjse on a b:u# overlookaig Horsetooth Reservoir where
site paints and makes raku-fired pots. Photo by Libby James
of intemite', but for a long, tittle,
all that she understood` about
color eeas not rcllccicd in her
eeork. it \ea, as if she eeere
eeailirw, for the right medium to
c:xpres� her cone ictions about
color.
"Victor Flack, my professor
at the L nnersite of W)onling.
hammered color theol- into
Inc," she said. "tic had stroll,
opinions and e%asn'i eery popu-
lar with the other students, but
I bought into eerrythin- he had
to ,hare about the use of color. €
learned so mush from him."
Cameron eeas no sli'angcr to
the art aurld eehcn , is entered
colic�,e. Born in Bcdtiard, Pa.,
she moe ed to Chce cnnc and
,!raduatcd from C'cntral Iligh
School there. She xeas ,front ly
influenced by her mother. a
painter, jeeecIry m::kcr and all
teacher. 011cn she t:a red along,
to eeorkshops ee ith her nloln and
puked up tips :;rid techniques
that site incorporated into her
eeork. Be' the tilrtc sit: %%as
ready fir collcec, she had In
array of all scholarships lionl
eehiclt to choose.
alter ,raduation she set out
to make a lip ins with het all.
At Ill,- time she dill siructurcd
and realistic pieces that eecrc
soon accepted by a Lox eland
gallery. O\cr the year, dic ha,
boon im olecd in a ntnnh:r of
:art in public place; projects.
from enhan:in, transformer
boxes eeilh rlalire eeildllueecrs
to a 12-panel three-dimensional
historical mural installed at the
entrltlCe 10 ill: k '1\ 11 of MOIIU-
KULTUR
Suche nach der Balance
Volker Scheuer and weitere Kunstler eines Symposiums stollen im Weiler Kunstraum Kieswerk aus
Drr Nachhah eines bMwnder: ;<urstsom
risers ist nosh in diesem Winte: im Kunst -
:aim Kieswerk In Well am Rhein zu spu-
. .ln de. Dezemberartsstellung sins
einige Bilde: and Objek;e zu sehen, die
wahrenc cities Symposiums mil, vier in-
LeMaflO.naien Kiinstlern irn August i;n
DreiCande.ga:ten entstanden sird. Das
Hauptgewicht der Schau liegt aber auf
neuen Arbeiten des Bildl:auc s Volker
Scheurer, der im Kieswerk sein Atelier
and die Galerie bctreibt. Zudem hater die
Galerierlume, die das Hemstuck des
<ilten Industriegeb�udes bilden, um neu
,estaltete Kunstraurne in den ehemaligen
Silos erweitert. Auch dort finden sick nun
effektvoil and stilvoll prasentierte Skulp-
turer,, %Yandohjekte, Bilder urd Installa•
tioncn. Das alte Materiailager wurde so-
ar zu einer Art Krypta verwandelt.
Vokke: Scheurer hat vie: Neues gesehaf-
ter., darunter ak;uclle Skulptuxn in Holz,
die das T hema Balance behandeln. Eire
der stark abstrahierten Figuren Nt uber
zchn Me:er Koch, sic steht vor der Galerie
and bevvegt rich rnit dent Wind - was die
Suche nach der Balance i:n Lebea and die
Labili:lt der menschlichen Existenz sym.
nolisier% Ein fragiles Gieichgewicht halt
auch tine weitere forma; reduzienc Hoiz-
skulptu:, die an cineni d,inncn Draht zu
sch:veber. scheint. In anderen Ob;ekten
arbeitet Scheurer mi; hauchd6nnen Pa.
pierschichten, die nel'cfartige Strukturen
ergeben. Ebenfails neu bind die ..Dialog.
raume„, wic Offrrungen cir.£erah:nt von
Hoizbalken, in denen kleine ult:an:arin-
Mauc F igurenpaarc and Formercle:nentc
ir. verschledenen Konstellationen zusam-
ntcngestell: wcrdcn -Onnen.
\eben dern intensiv !CUchtenden
Uhrarrarinb:au sel,zt de: Bildhauer auf
uramadsche star ke Farbkontraste wic Rot
and Schwarz. Aus schwarze:n Sand der
tapverder, Bird abs;rahicr tc weihEche
Figurer geforn:t and auf schwari-rotcr.
Bildprund Kesetzt, Im Niaterial, in der
Farbe and der Reduktion au; clementare
F•ornen spiegeln diese Figurea auch das
Pure de: atur and ccn Charakterder ln-
sel. „Roter Horizon;" heilit eire andere
liilderreihe m:t roten Horizontstreifen
and sch.va,-zcn Unienspurcn, die an Vo.
gelsci•.varrne oder Vulkanisch-EmptIves
ucnkcr::assen. An die Nageibi.der eires
Der Bildhauer Volker Scheurer neben seinen Figuren aus schwarzem Sand
der Kapverdon I ;: I e.. , os r. i . ,. r k • •.
Giinther Ucckcr crinrert ein Material-
bild, in dem sick aus :oten Goiftees dyna-
mische Figu;rnlinien abzeichnen.
, z einer g:urz cigeaen Technik faszi-
niert die junkie polnische Kunstlerin Ania
Dziezcwska. Sic vcrwendet textile Ele
rncnte and verschiedene farbige Stoffe
wie Seide, die sie zer•schnefdet, verkno-
tct, fiicht and ver:vcb; zu abstrakten Farb-
komposAioren vor, dichter Textur and
dynamischen Unien. Nlehr der konstruk-
tiven Formersprache zugewardt ist der
japanische Kbnstler Yuzo Chiba. Von ihm
sieh: man tine weifie Piexigiasskulotur:
eine Plastik aus d:ei ineinander ver-
schrankier. geornetrischen Formeneie-
menten, die symLolisch fGr das D:eiiand
stehen. Auch seine in diesem : icrbst ge
rnalten Tuschebilder nehnrer. Bezig zai
das Motiv eines Kubus ' dugs-rai I
str ru r,, sondern spontan, fife•
end, mit spielerischen Elementen. „Flo-
werpower" auf ungewdhnl:che Art br ingt
die amerikanische Malerin Lisa Cameron
in ihrern Biid ,.Wildblumen„, dasaussieht
wic c.rc wild wuchernde Blumenwiese.
Von Nahem betrachter ist es reinstes Ac•
tion Painting � la Jackson Pollock: Die
Kunstlerin aus Colorado iasst Farben Crop.
fen and ver:auten, urd aus dern abstrak.
ten „Chaos" kristallisieren sick ver.
schlungere Naturmotive heraus-einfach
yerbiiiffend schdn! Ros►tividra J ),ev
.- Bis 21. Dezember, Freitwg, Sanwag,
Sonntag 14.19 f1hr; 13. Dezember, 20
Uhr Kunst171rne; 20. Dezember, 20 Uhr
1 echterabend. 12009
Ob
4
Aoki,
Ar 1_
IT All,
At
"Custer
AcrYlic
117 12 Wx 2 "D
Regio - Kultur
Mittwoch, 06 August 200:
magischer Ort voller Inspiration
unstler-Symposium im Kieswerk: vier Gastkunstler / Faszination des „genius loci"
Hauger
ein. Das chemali-
: im Weiler Drei-
i wird in der Re-
:zt als augerge-
Hort der Kultur,
is derzeit vor Ort
e open air Kino
Kiinstler Volker
t daran wesentli-
Er hat zur Grun
;elegte Industrie-
>tmals als Studio
genutzt. Regel-
ene sowic Gast.
n and zahlreiche
isbauten folgten.
>iente hat einen
n Charme: Rund-
2n rich die uber-
-n, charakteristi-
reieck-Skulpturen
n den Himmel,
`Cunstlerutensi-
rasent, Kreati-
,� der Luft. Ein
avierflugel wartet
Jer Galerie, die
ine steile Au&n-
erreicht, auf Pia-
.. Zur Zeit gibt es -
open air sei ge-
n Augenbereich
and Konzertbuh-
n Teil des Nille-
ist Erstaunliches
[anden Scheurers
Helfer entstan-
re Zimmer, eines
Begegnungsstatte
:hen Stil, stehen
Kiinstler-Gasten offen. Und
Gdste sind scit gestern such
da: Das crste Kiinstler-Sym-
posium findet in Zusatnmen-
arbeit mit deco Weiler Kultur-
amt staff. Vier kreative Kopfe
wohnen nun direkt im Indust-
riedenkmal and Lassen rich
von Geschichte und Atmo-
spharc des Gebaudes and der
Umgcbung inspirieren: 7_wei
Amerikaner, ein Japaner and
ein Schweizer hat Volker
Schcurer in Rucksprache mit
Kulturamtsleiter Tonio Pag-
lick nach Weil am Rhein
eingeladen. Sic begeben rich
bis Sonntag taglich in ihren
hier entstehenden Arbeiten
auf die Spuren des „genius
loci". Und sie rind rich alle
vier einig: Dieser Ort fordert
kiinstlerische Kreativitat ge-
raderu heraus.
Alle vricr haben von Pag-
lick and Schcurer ciniges
iibcr das ehemalige Kieswerk
sowic den daneben liegenden
Hadid-Bau erfahren. Wichtig
ist der Aspeki, class hier
ursprungliche Natur zur In-
dustriclandschait wurde and
anschliegend wieder zuruck-
transformiert wurde.
Der Japaner Yuzo Chiba,
der bereits vor tunl'Jahren im
Kieswerk seine Kuben aus-
stellte, will die Dreiland-Situ-
ation thematisch aufgreifen.
Ein Modcll seiner aus Plexi-
glas geplanten Arbeit hat cr
mitgebracht. Er will das Drei-
15ndereck mataphorisch um-
tammt die Kiinstlerin Anna Dziezewska, die gerr.ein-
usherr-' Volker Scheurer in der Galerie im Kieswerk
irallel zum Kunst -Symposium.
miinzen auf leich- -
te gcometrische
and plastische
Aussagen. Mit sci-
nen Skulpturen
versucht er, die
der Natur innen-
wohnenden Ge-
setzmal3igkeiten
zu abstrahieren
and in reduzierter
Form darzustcl-
len.
Auch der
Schweizer Urs P.
Twcllmann ist in
Weil kein Unbe-
kannter. Er hat be-
reits bei der Griin-
'99 mit Schwemm-
holz aus dem
Rhein eine faszi-
nierende Kugel ge-
schaffen, die von
der Stadt gekauft
wurde. Jetzt plant
cr wieder mit
Holz, das er
bricht, spaltet, zer-
sagt and gleich-
$am analysiert,
um es dann in
andere Zusam-
menhange zu
bringen.
Tim Upham aus
Colorado ist von
der Wirkungsstdt-
te begeistert: „Ein
magischer Ort -
cin Traum!" Seine
mcist gewaltigen
Plastiken setzen
sich stets intensiv
mit Natur. Ge-
schichte and Ar-
chitektur der Um-
gebung auscinan-
der. Mit Beton and
vor allem mit Glas
%vill er hier lokale
Impulse autgret-
feu.
Die Malerin Lisa J. Came-
ron schlielilich, ebenfalls aus
Colorado, erzeugt mit ihren
Farbil5chen je nach Betrach-
tungsabstand faszinierend
unterschiedliche Wirkungen.
Durch die Farbschichtung
w-irken ihre Bilder skulptural:
zunachst v.illkiirlich wirken-
de Formen setzen sich bei
Vor dem Kieswerk: die Teilnchmer des Symposiums (von links oben): Urs F
7. ellmann, Tim Upham. Lisa i. Cameron and Yuzo Chiba
Fotos: Gabriele Hauge
grolierem Abstand zu Figbrli-
chem zusammen.
Die vier Kunstler, die t5g-
lich ab etwi IS Uhr auf dem
Gelande arbeiten, freuen sich
auf intensive Publikumsbc-
gegnungen. So vcrspricht der
Ort mit Vlusik, Kunst, Gc-
sprachen and Filmen zu ci-
nein „Kunst open air" zu
werden. Idealer k6rinte di
Nutzung des Kieswerks nick
sein.
Es :vird ein Publikumsprei
ausgelobt. Am Donnerstag.
August, um 20 Uhr spielt di
japanische Pinnistin Yoshik
Kasahara Werke von Lisz
Beethoven and japanische
Komponisten.
tisa J Cameron Public Art
4524 Skyline Drive, Fort Collins, CO 80526
970.372.3096 lisa@lisajcaineron.coin www.lisajcaineron.com
Uiefnr6 C+raafc rall"1 ", Arn,'anf Fnrf iniGne i'nlnradn
0
• Transformer Box Project Fort Collins,
Colorado
"Wild Flowers of 4 Corners"
Vegetation indigenous to the Four Corners area is painted in a loose,
impressionistic style, depicting yucca, aster, sumac, and dugaldia on a cluster of
cabinets. The cold urban environment has been transformed into a lush field of
• f h f
wildflowers creating an inviting atmosphere for pedestrians.
2007 $3,400
• Medical Center of the Rockies Loveland, Colorado
Hospital commission of 5 water color paintings. 3 of 5 subjects are
portraits of children representing caring, family, and friendship.
2 depict soothing local architecture and it's environment. unframed
2006 $6,225
• Lowry Foundation Historical Wall Mural
Colorado
4
Finalist with Tim Upham 3-D mural depicting history of Lowry
Air Force Base 2006 $15,000 pl -
• Trios Murals - 1999 and 20M Fort Collins, Colorado
L
"GARDEN SENSATION" 1999 52' W x 10' H
"SUNSET FANTASY" 2000 2 F W x 6' H +i
Murals for interior of Trios Salon Spa Store to create soothing environment through
color use and application. Created in corridors the murals gave the illusion of depth
and a feeling of more space.
• Performance Art
• Painting live during "Celebration of Hope and Humanity" show 2003, and the *�,
"Tsunami Relief Fund" 2005, Fort Collins
Participating in Italian Street Painting Festivals in Denver, Vail and^
Fort Collins, Colorado.
I
Page 1
G�2
qq hsa ppnn 4524 Skyline Drive, Fort Collins, CO 80526
C.-n , Cameron 970.372.3096 lisa@lisajcaineron.com www. lisajcatneron. coin
• Current Gallery Representation
• Kieswerk International Gallery, Weil am Rhein, Germany— 2008 — 2009 • Teal Art Gallery, Breckenridge, Colorado — 2009
• Naked Horse Gallery, Scottsdale, Arizona — 2008 — 2009 • Meko's Gallery and Framing, Fort Collins, Colorado, 2005 — 2009
• Casa de Artistas, Scottsdale, Arizona 2008 —2009 • Trimble Court Artisans Cooperative, Fort Collins, Colorado— 2004 — 2009
• Earthwood Artisans, Estes Park, Colorado — 2006 — 2009 • Best of Both Worlds, St. John, Virgin Islands — 2006-2009
• EarthWood Collections Pearl Street Mall Boulder Colorado — 2007— 2009'
• International Award Winner Weil am Rhein German y"
Awarded second place for interpretation of the indigenous flora in
"Three Nations Garden" during the 2008 Invitational International Open -Air Symposium c
• Best of Colorado Denver International Airport - DIA
a
'Ripe and Ready" Acrylic, 48"" H x 38" W Best of Colorado Artists exhibition at DIA.
August 15 - January 31, 2007 s�r%
• National - Best of Show Greeley, Colorado "
National - Best of Show in 2005 Greeley National Art Exhibition
-Red Rockets",Acrylic 38" W x 48" T
• Where the Buffalo Roam West Yellowstone Yellowstone, Montana
"FANCY DANCER"
Sponsored by Yellowstone Resort & Conference.
1 of 25 artists selected to raise awareness for the arts
commissioned to paint life size fiberglass buffalo
2007
A PM ecf of WYEO. Inc • P.O. Box 190 • WW Yeg—fore. MT 59758
• Denver CowParade
Denver, Colorado
"The Next Stage" "Cow Flower Power"
Sponsored by Wells Fargo Sponsored by Cherry Creak Ar
8" long, S" high and 2"5" wide 4"*" 8" long. 5' high and 2"5" wide
Sponsored by Wells Fargo 1 c o w w pa r a d e
,. CowParade is the largest and most popular public
art event in the world. More than 100 million
people worldwide have seen the Cows Event. 2006
host cities include Lisbon, Portugal, Boston,
_ Buenos Aires, and Denver, Colorado! 7m!v
• Exhibitions
• Creative Capital Exhibition- Denver International Airport and Colorado State Capital. Denver. CO- 2009
• Kieswerk Open Air, Weil am Rhein, Germany - 2008 - 2009 • The Home Show at the Enclave, Loveland, CO - 2004
• Tointon Museum Gallen. Greeley CO - 2008 • La Via dell Arte Participant Show. Fort Collins. CO - 2004
• Reno Tahoe Airport Authority, Reno -Tahoe International Airport NV - 2007 • Women Rock the Sunset, Fort Collins, CO - 2004
• The Best of Colorado. Denver International Airport CO - 2006 - 2007 • Sisters, Fort Collins, CO - 2002
• Lloyd's "Out of the Blue", Fort Collins, CO - 2006 • lmprov Contemporary Art, August, Fort Collins, CO - 2002
• Art for the Heart, Estes Park. CO - 2006 • Snow Ball, Arts Alive Fund-raising Campaign, February, Fort Collins, CO - 2002
• Lloyd's "Au Naturale'', Fort Collins, CO - 2006 • Junior League Garden Tour, Fort Collins, CO - 1999
• Mia Bleu. Fort Collins. CO - 2006. 2007. 2008 • Warren Na1de Mansion Art Show - .August - September. Cheyenne WY - 1999
• 2D or Not 21), Fort Collins, CO - 2005 • Wyoming Game & Fish Conservation Art Competition, Cheyenne, WY 1995-1998
• Richard Schmid Fine Art Show &Auction. Rist Canyon. CO - 2005 - 2009 Watercolor Floral Show, Chevenne Little Theater, Cheyenne. WY - October 1994
• National Greeley Art Exhibit, Fort Collins, CO - 2005 • The Holiday Show, Laramie, Wyoming, February -March 1991
• Sound of Color, Fort Collins. CO - 2005 • Uniycrsity UP Gallerv. University of Wyoming, Laramie. WY - April 1990
• Cache Bank, Fort Collins, CO - February & October 2004 • WYSIWYG Gallery One Laramie Plains Civic Center, WY - Nov. & May 1990
PAY. 2• MOCA Studio Tour. Museum of Contemporary Art, Fort Collins, CO 2001-2007 • The Salon des Refuses Show, Laramie Plains Civic Center, WY - 1990
IN J Cameron
4524 Skyline Drive
Fort Collins, CO 805
970.372.3096
Dear Review Committee
In my submission for this project I have included images of past Art in Public Places projects and commissioned
painting examples. If selected as a finalist I will demonstrate why I have been invited to participate in many
performance art projects. The 3-D painting style I developed is unique and created with animated enthusiasm as
drip and fling layers of color. It is entertaining for viewers to witness as the layers of color develop into
representational imagery.
A few examples of live Art in Action projects I have completed include street chalk drawing festivals throughout
Colorado and painting live to the music of the Symphony, Opera Fort Collins and many other musicians and
singers for fundraisers at the Lincoln Center. I also created a painting representing the "Spirit of Place" during a
week long invitational art festival in Germany in 2008. My favorite part of the event was watching patrons
discover imagery in my painting as they talked with me and stepped away from the canvas to see the imagery
appear. Guests came back daily to watch the progression of the artwork. I was awarded seconded place at the
symposium for the painting I created on location, Drei Nationen Garten.
For exterior work I paint on large scale single or multiple panels of weather and vandal resistant Lexan or steel
to form windows of site -specific scenery. In the 3-dimensional wall piece "ICE HARVEST", I reverse painted on
Lexan to create a representational painting separated into 13 pieces and mounted in steel stacked frames
representing ice blocks. This idea was derived after collaborating with the project design team.
The painting samples I provided are a contemporary style of painting that can be pushed to abstraction or
refined to become more realistic. My style lends itself well to both patrons of realism and abstraction. It is a
mixture of Impressionism and Jackson Pollock's dripped paint technique. This paint technique is what I am
becoming known for and is a colorful and lively approach used to create renditions of genius loci or
my surroundings.
It is also notable that in addition to APP projects I have been awarded, I have worked as an assistant on others
including one in Aurora Colorado in 2008 for $215,000. This has given me first hand experience of large and
medium scale projects from conception, certifications from structural engineers to installation.
have enjoyed working with design teams and look forward to the opportunity of working with your team in the
development of an interactive art project that would help continue to raise awareness of the vitality of our
downtown community.
Thank you so much for your time.
Sincerely,
Lisa J. Cameron
1. What expertise and sensibilities do you bring to the project?
A. What makes me excited about working on the Art in Action project is being
able to translate my experiences from other similar projects, forward to this one.
a. International Snow Sculpture in Japan
Represented the United States team capturing the event on film for future
creation of a documentary of the event and answering questions from
visitors and guests about our project
b. Invitational International Art Symposium in Germany
I created a painting live during the week long event from indigenous flora
winning second place.
c. Painted live during the "Celebration of Hope and Humanity" and
"Tsunami Relief Fund" in Fort Collins. Painted to the music performed
by Opera Fort Collins, The Symphony, jazz musicians and children's
choruses.
d. Participated in street Chalk Drawing festivals throughout
Colorado.
Created works as patrons observed and asked questions.
All of these opportunities have given me the experience necessary to fabricate
artistic creations under the inquisitive and close observation of the public eye.
When completing a project under the watchful observation of others. There is no
room for mistakes and you must be able to remain focused while being congenial
and answering questions from the inquisitive viewer. I am out there to entertain.
That is equally as important as the piece I am creating.
2. How does my initial concept fit into the themes of Sustainability, the
History of Fort Collins or Eclectic/Bohemian?
A. Sustainability - the ability to maintain balance
a. The piece can demonstrate this physically, visually or both. It
depends on how esoteric you want to be. To keep an artwork in
balance we do this visually, through texture and color in a
composition. Or physically we can use recycled material. I could also
balance the piece by the choice of images I used- one side a one
colored historical figurative industrial image countered by the other
side, a brightly colored flamboyant subject from nature.
B. History of Fort Collins
a. Like the piece created for Monument Colorado, I can create imagery
that reflects important industries that defined and developed Fort
Collins. For example the Beet Factory or the agricultural beginnings of
the University. I could also create imagery of indigenous, flora, fauna,
or landmark landscapes (Horsetooth Rock) from which natives to the
area have created and told folklore about for generations. This can be
illustrated using my unique and colorful painting application or
monochromatically like the reproduction of old photograph completed
for Monument.
C. Eclectic/Bohemian
a. My painting style is eclectic, drawing from the impressionism style
and adding the flair of Jackson Pollock creating a new style outcome. I
am a full time artist and my work, personality and being represents the
Bohemian lifestyle of frugality and voluntary poverty. I am living it,
and my presence in the public as I create my work publicly for the Art
in Action project is the embodiment of the theme eclectic/bohemian.
3. What is going to make my proiect exciting in the way it engages with visitors to
Old Town Square?
A. The untraditional process that I use to paint is unique and entertaining. I paint
enthusiastically with paint stir sticks dripping and flinging paint onto my canvas.
It is entertaining for viewers to witness as the layers of color develop into
representational imagery.
B. My painting style lends itself to both patrons of realism and abstraction.
D. My proposed piece emphasizes the engaging element of surprise from
different vantage points and distances.
a. My work is made for pedestrians to view from many distances. Close
up the imagery is abstract drips and splatters of layered color and from
a distance the piece comes into focus and filled with representational
imagery.
E. It may have movable/kinetic components.
a. The added levered element gives a different viewable subject
depending from which direction you are approaching the sculpture
4. Can you move forward with your proiect with a portion of the budget and a
shorter time line?
A. I am comfortable creating artwork to fit a required budget and time line.
B. I have sample projects and budgets of past projects as reference points.
v
^?
Rohl"
tisa 1 Cameron
4524 Skylbie Drive
l Fort Collins, CO 80526
\ 970.372.3096
tisa@lisajcaitieron•. coin•
www. li.sajcaiiieron.. co?n.
1. "BEET STREETS"
Stainless steel, steel, sandstone, glass
14'Hx12'Wx5'D
A design consultant in collaboration with Tim Upham creating Art in
Public Places artwork incorporating the facility's history. The piece is a
reproduction of Fort Collins Streets circa 1900 & 2000 pinpointing the
buildings location and provides seating for employees.
City of Fort Collins Art In Public Places Program
Streets Facility Project — Fort Collins, CO
2008 $24,000
2. "ICE - HARVEST"
Reverse painting on Lexan/Steel framing
30'Wx9'Hx4'D
Working in collaboration with Tim Upham to create site -specific Art in
Public Places sculpture. This piece is a 3-D mural depicting the history
of Tri-Lakes and installed at the entrance to Monument Colorado.
Tri-Lakes Views Public Art Projects
ARTWALLS Project Monument, Colorado
2007 $20,000
3. "WILD FLOWERS OF 4 CORNERS"
Vegetation indigenous to the Four Corners area is painted in a loose,
impressionistic style, depicting yucca, aster, sumac, and dugaldia on a
cluster of cabinets. The cold urban environment has been transformed
into a lush field of wildflowers creating an inviting atmosphere
for pedestrians.
City of Fort Collins Art In Public Places Program
2007 $3.400
4. "DREI NATIONEN GARTEN"
Acrylic
52"W x 48"T x 2"D
Site specific flowers painted in Germany from the three nation's corner,
winning 2nd place at the international symposium
Kunstraum Kieswerk Internationale Galerie
2008 $3.600
Image List
5. "SUNSHINE CELEBRATION"
Acrylic
48"W x 48" T x 2"D Gallery wrapped canvas panel Big Gril
dentistry, Fort Collins, CO
Layers of woven acrylic color to create cactus. Full view imagf
with a close up of cropped section
Big Grins dentistry, Fort Collins; CO
2008 $3,600
6. "PRICKLEY PEAR"
Acrylic
48"W x 48"_T x 2"D Gallery wrapped canvas panel
Layers of woven acrylic color to create cactus. Full view imagf
with a close up of cropped section
Naked Horse, Scottsdale, NM
2008 $3,600
7. "SILVER LINING"
Acrylic
60"W x 48"T x 2"D Gallery wrapped canvas panel
Layers of woven acrylic color to create a native silver fox
currently showing in Colorado Capital show located at
Denver International Airport and finishing in
Denver State Capital
2008 $3,800
8. "YELLOW FIN / BLUE FISH"
Acrylic
Full View - 6, 30" x 36" 2"D panels
Installed size is 7'5"W x 6'8"Tx 2"D
Layers of woven acrylic color to create fish in blue water. Full
view image with a close up of cropped section.
Water Valley Land Co., Windsor; CO
2007 $8,600
W
IN J Cameron
4524 Sky in.e Drive
Fort Colliazs, CO 80526
970.372.3096
Lisa@lisajca?nei-o,ii.. conz
www.li.sajca.nwron. com
Dear Review Committee,
Letter of Intent
In my submission for this project I have included images of past Art in Public Places projects and commissioned
painting examples. If selected as a finalist I will demonstrate why I have been invited to participate in many
performance art projects. The 3-D painting style I developed is unique and created with animated enthusiasm as
drip and fling layers of color. It is entertaining for viewers to witness as the layers of color develop into
representational imagery.
A few examples of live Art in Action projects I have completed include street chalk drawing festivals throughout
Colorado and painting live to the music of the Symphony, Opera Fort Collins and many other musicians and
singers for fundraisers at the Lincoln Center. I also created a painting representing the "Spirit of Place" during a
week long invitational art festival in Germany in 2008. My favorite part of the event was watching patrons
discover imagery in my painting as they talked with me and stepped away from the canvas to see the imagery
appear. Guests came back daily to watch the progression of the artwork. I was awarded seconded place at the
symposium for the painting I created on location, Drei Nationen Garten.
For exterior work I paint on large scale single or multiple panels of weather and vandal resistant Lexan or st(
to form windows of site -specific scenery. In the 3-dimensional wall piece "ICE HARVEST", I reverse painted on
Lexan to create a representational painting separated into 13 pieces and mounted in steel stacked frames
representing ice blocks. This idea was derived after collaborating with the project design team.
The painting samples I provided are a contemporary style of painting that can be pushed to abstraction or
refined to become more realistic. My style lends itself well to both patrons of realism and abstraction. It is a
mixture of Impressionism and Jackson Pollock's dripped paint technique. This paint technique is what I am
becoming known for and is a colorful and lively approach used to create renditions of genius loci or
my surroundings.
It is also notable that in addition to APP projects I have been awarded, I have worked as an assistant on others
including one in Aurora Colorado in 2008 for $215,000, This has given me first hand experience of large and
medium scale projects from conception, certifications from structural engineers to installation.
have enjoyed working with design teams and look forward to the opportunity of working with your team in the
development of an interactive art project that would help continue to raise awareness of the vitality of our
downtown community.
Thank you so much for your time.
Sincerely,
Lisa J; Cameron
(:��2
4524 Skyline Drive, Fort Collins, CO 8052
�Sa J Cameron Public Art 970.372.3096 Lisa@lisajca?neron.co?n www.lisajca?neron.co-,
Hidnrie CtrPPtc Farility PrniPrt Fnrt (Aline CnIfiman
C Transformer Box Project Fort Collins, Colorado
"Wild Flowers of 4 Corners" �-19
Vegetation indigenous to the Four Corners area is painted in a loose,
impressionistic style, depicting yucca, aster, sumac, and dugaldia on a cluster of Iffcabinets. The cold urban environment has been transformed into a lush field ofa`:
wildflowers creating an inviting atmosphere for pedestrians.
2007 $3,400
Y Medical Center of the Rockies Loveland, Colorado
Hospital commission of 5 water color paintings. 3 of 5 subjects are
portraits of children representing caring, family, and friendship.
2 depict soothing local architecture and its environment. unframed
2006 $6,225
C Lowry Foundation Historical Wall Mural
Colorado
Finalist with Tim Upham 3-D mural depicting history of Lowry
Air Force Base 2006 $15,000
C Trios Murals - 1999 and 2000
Fort Collins, Colorado
"GARDEN SENSATION" 1999 52" W x 10' H
"SUNSET FANTASY" 2000 21 � W x 6' H ;
Murals for interior of Trios Salon Spa Store to create soothing environment through ?' s i 11.11.I t i i �'� : ' 1 a
color use and application. Created in corridors the murals ave the illusion of depth
g p , lY
and a feeling of more space.
� •ji `s�•haJ
Performance Art
Painting live during "Celebration of Hope and Humanity' show 2003, and the
"Tsunami Relief Fund" 2005. Fort Collins i
Participating in Italian Street Painting Festivals in Denver; Vail and -f r
Fort Collins, Colorado.
Page I �""`�
4524 Skyline Drive, Fort Collins, CO 80521
tisaJ. Cameron 970.372.3096 1isa@1isajca7neron.co?n www.lisajcainei-on.coir
Current Gallery Renresentatiou
C Kieswerk International Gallery, Well am Rhein, Germany— 2008 — 2009 o Teal Art Gallery, Breckenridge, Colo& 'C
c Naked Horse Gallery, Scottsdale, Arizona — 2008 — 2009 o Meko's Gallery and Framing, Fort Collins, Colorado, 20u- - 20
Y Casa de Artistas, Scottsdale, Arizona 2008 — 2009 ^ Trimble Court Artisans Cooperative, Fort Collins, Colorado — 2004 — 2(
0 Earthwood Artisans, Estes Park, Colorado — 2006 — 2009 o Best of Both Worlds, St. John, Virgin Islands — 2006 — 20
EarthWood Collections, Pearl Street Mall, Boulder, Colorado — 2007— 2009
International Award Winner Weil am Rhein, Germanv
Awarded second place for interpretation of the indigenous flora in
"Three Nations Garden" during the 2008 Invitational International Open -Air Symposium
Best of Colorado, Denver International Airport - DIA
"Ripe and Ready" Acrylic, 48" H x 38" W Best of Colorado Artists exhibition at DIA.
August 15 - January 31, 2007
National - Best of Show
Greeley, Colorado
National - Best of Show in 2005 Greeley National Art Exhibition
"Red Rockets", Acrylic 38" W x 48" T
Where the Buffalo Roam West Yellowstone Yellowstone, Montana
Y Denver CowParade
"FANCY DANCER"
Sponsored by Yellowstone Resort & Conference.
I of 25 artists selected to raise awareness for the arts
commissioned to paint life size fiberglass buffalo
2007
Colorado
"The Next Stage" o�� _ "Cow Flower Power"
Sponsored by Wells Fargo Sponsored by Cherry Creak Ar
8' long, 5' high and 2'5" wide . � 8' long, 5' high and 2'5" wide
Sponsored by Wells Fargo i c o w♦ p a r a d e
CowParade is the largest and most popular public
art event in the world. More than 100 million
i�- - people worldwide have seen the Cows Event. 2006
host cities include Lisbon, Portugal, Boston,
Buenos Aires, and Denver, Colorado!
0 Exhibitions
al ♦ W
w �
A pm/ecl of W ED. Inc P.O. Box 190 • Wci1 Ye110 , MT 59
Creative Capital Exhibition- Denver International Airport and Colorado State Capital; Denver; CO — 2009
• Kieswerk Open Air, Weil am Rhein; Germany — 2008 — 2009
• Tointon Museum Gallery; Greeley CO — 2008
• Reno Tahoe Airport Authority; Reno -Tahoe International Airport NV — 2007
• The Best of Colorado; Denver International Airport CO — 2006 — 2007
• Lloyds "Out of the Blue", Fort Collins; CO — 2006
• Art for the Heart. Estes Park. CO — 2006
• Lloyds "Au Naturale", Fort Collins, CO — 2006
• Mia Bleu. Fort Collins. CO — 2006, 2007, 2008
• 2D or Not 2D, Fort Collins. CO — 2005
• Richard Schmid Fine Art Show & Auction, Rist Canyon, CO — 2005 — 2009
• National Greeley Art Exhibit, Fort Collins, CO — 2005
• Sound of Color. Fort Collins. CO — 2005
• Cache Bank, Fort Collins, CO — February & October 2004
Pg. 2 • MOCA Studio Tour, Museum of Contemporary Art, Fort Collins; CO 2001-2007
• The Home Show at the Enclave; Loveland; CO — 2004
• La Via dell' Arte Participant Show; Fort Collins; CO— 2004
• Women Rock the Sunset; Fort Collins; CO — 2004
• Sisters, Fort Collins, CO — 2002
• Improv Contemporary Art; August; Fort Collins, CO — 2002
• Snow Ball, Arts Alive Fund-raising Campaign; February; Fort Collins; CO — 200:
• Junior League Garden Tour, Fort Collins, CO —1999
• Warren Nagle Mansion Art Show — August — September, Cheyenne WY '
• Wyoming Game& Fish Conservation Art Competition; Cheyenne, Wl 19
• Watercolor Floral Show, Cheyenne Little Theater, Cheyenne, WY — October 1994
• The Holiday Show, Laramie, Wyoming, February — March 1991
• University UP Gallery; University of Wyoming, Laramie, WY— April 1990
• WYSIWYG Gallery One Laramie Plains Civic Center, WY— Nov. & May 1990
• The Salon des Refuses Show, Laramie Plains Civic Center, WY — 1990
Tv Honer Bee "
Acglic
(4) 36".v 36"x 2" Canvas
Installed si_e is 6'x 6'x ? "
"Meine Honig Biene "
Acre/
(4) 91.44 x 91.44 x 5. 08 en?
Leinwand
1 Cameron
isa
�� T , ► ,`
4524 SkUltne Di i:ie
Fort. Collins, CO 80526
I 1 irk
970.372.309E
_ -
Lisa@lisajcameron.com
www. lisajcam.eron, com
Ron Kechter, PE
Facilities Project Manager
Project Management, Planning
& Design
970-221-6805
Larry Schneider
Street Superintendent
Transportation Services
970-221-6755
Holli M. Keyser
Administrative Support Supervisor
Transportation Services
970-416-2759
Betty Konarski
Tri-Lakes Views
PO Box 2564
Monument CO 80132
bkonarski@earthlink.net
Lisa Marks
Focus Friends LLC
970-226-3401
Ed Goodman
Performance Projects for Fund-raising
4709 Dusty Sage RD.
Fort Collins, CO 80526
970-225-2368
Carl Ann Hixon
Art Projects, Art Mentor Programs
970-223-9084
Reference
DeUi sample Uh urleu W OlUICated belutir Ein detailliertes Beispiel
..1 hree A1aourrs Garden" " Drei Nationen Garten"
Acrvlic Acrvl
48 " .,r j 0 " x 2 " Canvas 121. 92cm x 127cm x 5. 08 cm Leim-rand
Wes-- ... -._•�. u rates—; w ��w � • � - rrwt+►�uw �
Lklali cxii'Ucled us illdiculw 00OW Lin alaillierle5 Beispici
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60'1Tx 48"Wx 1 "D 1 1.4.y 121.9 x5.08cm
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1 Cameron
11,111V.11saic aw_
r:
Detail sample extracted us indicated belmi, Ein detailliertes Beispiel
"Yell oar Fin - Palau " "Blau Fisch - Palau "
Acri,lic Acrvl
(6) 30" z 36" r 2" Galler'v Wrap Canvas (6) 76.1 x 91.44 x 5.08
Installed si:.e is T5 "W x 6'8 "Tx 1 " D leinivand
011.0 or11
Detail sainplc cxtracted as indicated helow Fill detaillicrtes Beispiel
"Lemonade DaYdream " Ein Tgestraunl nut der Zitronenl imonade "
Acrylic Acgl
48 "T x 48 121. 91 x 111.9? .x 5. 08 C111