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City of Fort Collins
SCOPE OF SERVICES
With its significant history in the arts; its
depth in both performing and visual arts
organizations; physical facilities that are in
need of upgrade and/or expansion; and
a resident population who has expressed
strong support for arts and cultural activities
in Fort Collins, the City is well poised
to undertake a comprehensive cultural
facilities master plan. This plan, supported
by a needs assessment and a solid
financial underpinning, will assist the City
in evaluating and prioritizing what cultural
facilities are needed in the future —both to
establish Fort Collins as a cultural hub —as
well as to foster ongoing economic
development efforts.
In general, our approach includes the
following:
• The case for new cultural facilities
depends on the demand from audiences,
programs and facility users exceeding
the supply of available venues. The case
can also be made for such facilities if the
arts are seen as a way for the community
to achieve broader goals. Thus, our
challenge is to understand demand and
supply issues, as well as the potential role
of the arts in community development.
• The success of arts facilities is best
measured by how they respond to
the needs and interests of the specific
community. We must therefore, gain a
keen understanding of the market in and
around Fort Collins in order to guide the
development of facilities, organizations
and cultural infrastructure. Not only
must the current climate be understood,
but we must have a sense of what the
community will look like five, ten and
twenty years from today. (Given the
participation of Bruce Hendee, principal
of BHA Design in this effort, as well as
the current experience of Duncan Webb
of Webb Management Services working
in Fort Collins, we begin this effort with
a basic level of understanding of the
community and its future.)
• The process must be as inclusive and
open as possible, to allow for all voices
to be heard.
• Physical, operating and fundraising
perspectives are critical and inter-
related. The study must bring these
different perspectives to bear on the
basic question of whether new facilities
make sense and how they can succeed
artistically and financially on an ongoing
basis.
• Most cultural facilities today involve
some form of partnership in either their
development and/or their ongoing
operations. We therefore use the study
process as a means to investigate
potential partnership opportunities and,
when appropriate, advance them to a
written agreement.
• The experience of other communities
and organizations can help to build
a compelling case regarding how to
develop and operate new facilities,
if understood against the particular
qualities and character of the Fort Collins
community.
• Understanding competition for arts
and cultural facilities is a critical issue.
We must have a keen sense of who the
other players are and the alternative
choices available to ticket buyers,
touring programs and funders in the
region. Then our challenge is to develop
a project (or projects) with a strong
positioning strategy that makes it unique
and compelling.
• Developing a program that clearly
outlines the types, sizes and
configurations of spaces within proposed
facilities is important to the process,
not only in conveying how the facilities
might be used, but also what they will
cost to construct and operate. So too,
is establishing the level of quality that is
envisioned.
womsnop rrocess
• We begin our process day one with an
understanding of the costs to construct
these facilities, balancing these with
realistic assumptions of what might be
possible in a given community. Nothing
is more disappointing to all involved then
to develop concepts for various facilities
that everyone fully embraces but then
must be significantly pared down to
meet budget parameters. We therefore,
continue to tailor and refine our space
programs so that they are aligned with
potential financial resources.
• Pro -forma operating budgets, developed years before a building
opens, are inherently volatile, mostly as they relate to projections
of activity. Given this volatility, our approach is to conservatively
estimate activity levels and then provide for an extended period
of time in which activity can build.
• The only thing certain with these studies is change, and we must
be flexible enough in our recommendations to encourage and
allow for new opportunities as they arise.
• Our studies are not intended to sit on a bookshelf, but rather to be
a well -used guide and roadmap for those charged with turning our
projects into reality.
The following is a preliminary scope of work, further delineating the
tasks that have been outlined in the RFP. Based on our experience
with similar projects in similar communities, we suggest a three
phased approach, allowing the City to make key decisions at the
conclusion of each phase that will then inform subsequent phases.
The Needs Assessment determines the fundamental feasibility of
the project, and describes recommended facilities in terms of size,
shape and possible costs. To accomplish this, we undertake the
following tasks:
COMPARABLE COMMUNITIES/COMPARABLE PROJECTS:
Research similar projects in communities comparable to Fort
Collins to inform the development and operation of proposed new
facilities. Identify the "mix" of cultural programming and facilities
that make these communities successful. Key areas of research
include history of the arts and arts development (infrastructure,
facilities, funding), capacity and market potential, development
models, governance, formation of partnerships and the relative
strength of the arts communities.
MATERIALS REVIEW:
Review any previous studies on the arts market, arts activity and
the need for new facilities, including plans for indoor or outdoor
facilities for performance, production, exhibition or education. This
would include the study Arts & Economic Prosperity - The Economic
Impact of Nonprofit Arts Organizations and Their Audiences in Fort
Collins, the Cultural Arts Public Opinion Survey undertaken by the
City and Arts Alive!, the program entitled 'Beet Street", plans by the
Bohemian Foundation for a music venue along the river, and other
relevant studies and plans.
WHAT OTHERS ARE DOING:
To insure that our efforts are neither duplicating nor conflicting
with other ongoing cultural planning efforts in Fort Collins and to
insure a comprehensive set of recommendations, we will seek out
and meet with other consultants currently working on arts and/or
redevelopment planning efforts throughout the City and the region
to understand their efforts and to share both our initial findings as
well as final recommendations and conclusions.
EXISTING CULTURAL FACILITY ASSESSMENTS:
Consider the use and evaluate the condition of other existing (or
planned) arts facilities in Fort Collins and the immediate region
to suggest the quality of those facilities, their use and availability,
their rental costs, and any gaps in that inventory. Also consider the
impact of possible new facilities on the market and operation of
existing facilities.
ARTS COMMUNITY ASSESSMENT.
Meet with community cultural and arts organizations in Fort Collins
to assess:
• The history of attendance, funding and growth
• Their need for new or expanded facilities
• Their capacity to grow, expand and work together
• Their capacity to afford new facilities
• The leadership and funding of the arts
OTHER FACILITY USES AND USERS:
Meet individually or in a workshop setting with businesses,
independent artists, regional presenters, entertainment providers,
facility operators, educators, and community leaders to assess the
demand for new facilities and the potential levels of use.
AUDIENCE (MARKET) ANALYSI&.
Using any and all existing local and regional data (including the
Cultural Arts Public Opinion Survey), describe and understand the
market for the arts —past, present and future —in terms of demo-
graphics, geo-demographics and general characteristics including
the following:
• Market Area Definition and Demographic Analysis:
Define the resident market for the arts and describe that
population in terms of size, rate of growth and demographic
factors such as education level, age, disposable income and
race.
• Geo•demographic Analysis:
Using the PRIZM model developed by Claritas, which defines
the population in terms of specific variables that play into
potential arts attendance, investigate the presence of active arts
participants in the market area and their capacity to support
additional cultural facilities.
• Non-resident Audiences:
Consider the size and characteristics of the non-resident segment
of the market. Test the attractiveness of this market segment
in terms of the development plans of area arts organizations,
potential presenters and community cultural and economic
goals.
COMMUNITY GOALS:
Assess Fort Collin's goals based on the review of materials and
interviews with community leaders. Understand the basic question
of where the community hopes to be in five, ten and twenty years.
BENEFITS AND IMPACTS:
Based on the above, determine if and how the arts can play a role in
those goals, including such issues as economic impact, educational
opportunities and cultural tourism. Understand the relative importance
of the arts and culture in broader community goals and how that
relationship affects the demand for new facilities.
FACILITY CONCEPTS:
Based on the analysis described above, provide conclusions and
recommendations regarding the types of facilities that should be planned
for. This includes defining the nature of these facilities and the functions
they might serve. As part of this, we also recommend how Lincoln
Center fits into the overall plan for facilities and what options might
be considered as part of its renovations that would enhance the City's
cultural offerings.
WORKSHOP ONE
Presentthe findings and recommendations of the Needs Assessment
and deliver a report/power point including all findings, conclusions and
recommendations. Assist the client in the evaluation of possible directions
and priorities for the project.
Phi�t= Two Refinement of Pnonnw,
The purpose of Phase Two is to further develop the top priorities as they
have been identified by the City. This includes developing concepts for
the proposed facilities, including refining the size and type of spaces
being proposed, establishing criteria for site selection and/or identifying
potential sites, developing an approach to how parking needs will
be met and establishing an overall cost model for construction and
implementation. To accomplish this, we:
PREPARE SPACE PROGRAMS FOR NEW OR RENOVATED FACILITIES:
Based on the artistic needs that have been identified, we will prepare
space programs outlining the types, sizes, seat counts and general
configuration of the rooms and spaces that will comprise new cultural
facilities. The programs will illustrate the net square footage for each
facility as well as the number of people to be accommodated. It
will also provide estimated net to gross ratios that will determine the
overall size of the facilities. As part of this, we will discuss with the City
their expectations regarding the quality of these facilities, including
their theatrical and acoustical components as this will have an effect
on the anticipated construction costs.
DETERMINE SITE. LOCATION AND LAND AREA CRITERIA.
We will develop criteria that will assist the City in identifying potential
sites for the location of the new cultural facilities. Criteria will include
but not be limited to parcel size and configuration, opportunities for
expansion, access via major roadways and transportation systems,
existing parking and/or opportunities for new parking, visibility and
adjacent land uses and activities. We will also discuss with the City the
opportunity that new facilities can have in generating complimentary
activities, serving as a catalyst for development.
DEVELOP PRELIMINARY COST ESTIMATES:
We will prepare a total project cost model for the implementation
of proposed cultural facilities. The cost model will include estimated
hard costs such as site work, new building construction (on a square
footage basis for various components of the facilities), renovation
(if appropriate) landscape, design contingencies, construction
contingencies and escalation. It will also include soft costs, such as
fixed furniture and equipment, acoustical, theatrical and audio visual
equipment, fees, permits and anticipated owner costs. This
will allow the City to understand the full magnitude of financial
commitments to make these projects a reality.
WORKSHOP TWO:
Present the findings and recommendations of the Phase Two work
effort and deliver a report/power point including all findings,
conclusions and recommendations. Assist the client in the
evaluation of possible directions for the project.
Phase Three - Business Planning and Fundraising
The third component of the work is the development of a
preliminary business and funding plan that suggests how
recommended facilities should be operated, estimates their
initial and ongoing operational costs and projects their financial
performance and economic impacts on the community.
DEFINE GOALS AND PRACTICES:
Define the vision and operating goals for proposed facilities,
covering such areas as community access, cost -recovery objectives
and maximizing community benefits.
ACTIVITY PROFILE:
GOVERNANCE AND OPERATIONS.
Propose an operating model for recommended facilities,
addressing ownership, governance, staffing requirements, and
operating issues such as community access, scheduling and public
events. If appropriate, consider the role of existing institutions in the
development and operation of new facilities.
PRO -FORMA OPERATING BUDGET:
Construct a pro -forma operating budget for five years of
operations, starting two years before new facilities open and
extending through the third year of operation, identifying all
sources of operating revenues and expenses, an appropriate
capital reserve and the likely result of operations.
FUNDING OPTIONS:
Develop a preliminary strategy to pursue funds for the construction
and continuing operation of recommended facilities from identified
sources including local and regional government, federal
government, corporations, foundations and individuals. Offer
preliminary guidance on the creation of a funding plan, and how
to use the study as a fundraising tool,
ECONOMIC IMPACT:
Prepare an activity profile for recommended facilities, listing types
Forecast the economic impact of new facilities, including the
and levels of use by artists, organizations, educators and other
impacts of construction, operation and ancillary spending
specific groups, then identifying other uses for recommended
associated with attendance at facilities. Use the RIMS II model
facilities.
developed by the Bureau of Economic Analysis to estimate the
direct and indirect impacts of the project on the market area,
including outputs, increased earnings and employment.
WORKSHOPTHREE
Present the findings and recommendations of the study and deliver
a final report/power point including all findings, conclusions and
recommendations.
DESCRIPTION OF CLIENT ASSISTANCE:
Client participation is critical to the success of a study such as
this. From a practical point of view, we typically seek assistance
with setting up interviews, touring facilities, gaining access to key
community leaders, and accessing existing information on the
community. It is also our experience that greater participation by
the Client leads to consensus building, a stronger identification
with recommendations, and greater momentum to move the
project forward. In this context, we will make every attempt to plan
our meetings well ahead of time and to allow extensive time with
each of the partnering organizations as well as other elements of
community leadership.
City of Fort Collins - Streetscape
FEES FOR SERVICES
)
We have identified the following fees for services based on our understand-
ing of the scope of work and schedule that was outlined in the RFP. How- )
ever, we would anticipate refining both the scope and its associated fees in
consultation with the City to insure that the end product, as well as the costs )
to provide services, is in line with your expectations —both professionally and )
financially.
Services would be provided on a fixed sum basis as outlined below. (Please )
see attached manhour and fee matrix for a detailed delineation of hours and
fees by task and by firm.)
Pfeiffer Partners Architects, PC $40,000.00
Webb Management Services, Inc. $55,000.00
BHA Design $15,000.00 )
TOTAL FEES $110,000.00
Reimbursable Expenses
In addition to the fees outlined above, we would estimate reimbursable ex-
penses of approximately $7,850. These would be billed at costs and include
airfare/Travel, lodging, ground transportation and miscellaneous expenses
such as printing, photography, facsimiles, etc. (See also attached for an
estimated breakdown of these costs.)